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°³ÀÎÀü(ÃÊ´ë ºÎ½º°³ÀÎÀüⒷ Æ÷ÇÔ) 34ȸ 2022.08.01~08.27 Connecting the Dots : ¹®¼ö¸¸ ÃÊ´ëÀü (TTE Art Gallery, ¼¿ï/Çѱ¹) 2022.06.15~06.18 Korea Art Fair (COEX Hall A, ¼¿ï, Çѱ¹)Ⓑ 2021.09.10~10.14 The Immersion : ¹®¼ö¸¸ ÃÊ´ëÀü (GS Tower The Street Gallery, ¼¿ï/Çѱ¹) 2021.11.14~11.18 ¾ÆÆ®Ã»ÁÖ ºÎ½ºÃÊ´ëÀü (ûÁÖ¿¹¼úÀÇÀü´ç, ûÁÖ/Çѱ¹)Ⓑ 2021.08.05~08.08 Korea Art Fair (COEX Hall A, ¼¿ï, Çѱ¹)Ⓑ 2020.10.01~10.15 ¹®¼ö¸¸ µå·ÎÀ×Àü (¿¬Á¤°¶·¯¸®, ÀÎõ/Çѱ¹) 2020.04.28~05.24 Free Will (Cenacolo Gallery, ÀÎõ/Çѱ¹) 2020.02.25~03.01 ßæÙ¤ÀÇâàü» (GALLERYÝÁå¯÷ø, °íº£/ÀϺ») 2019.02.25~03.03 û×ïÊñýÙÓ (GALLERYÝÁå¯÷ø, °íº£/ÀϺ») 2018.12.12~12.17 çµêÀüÞÏý3-¿µ¿øÈ¸±Í3 (ÀÎ»ç¾ÆÆ®¼¾ÅÍ, ¼¿ï/Çѱ¹) 2018.08.03~08.31 çµêÀüÞÏý2-Eternal Recur (±Ýº¸¼º¾ÆÆ®¼¾ÅÍ, ¼¿ï/Çѱ¹) 2018.06.28~07.04 çµêÀüÞÏý-Ewig Wiederkehren (¿îº¸¹Ì¼ú°ü, ûÁÖ/Çѱ¹) 2018.06.13~06.18 ´ëÇѹα¹ Çö´ë¹Ì¼ú ¾ÆÆ®Æä¾î_°³ÀκνºÃÊ´ëÀü (¹®È¿¹¼úȸ°ü, ÀÎõ/Çѱ¹)Ⓑ 2018.05.22~05.27 ãÁÊàªÎÚ¦ (GALLERYÝÁå¯÷ø, °íº£/ÀϺ») 2018.01.20~02.02 Gate of Time (°¶·¯¸®Áö¿À, ÀÎõ/Çѱ¹) 2017.04.06~04.19 Fractal (¸ð¸®½º°¶·¯¸®, ´ëÀü/Çѱ¹) 2016.10.11~10.16 Ô¶ÍïªÎìÏ (GALLERYÝÁå¯÷ø, °íº£/ÀϺ») 2016.09.07~09.14 'Souffle du millenaire' International Art Exhibition (Église Saint-Pierre deTouques, Æ®Èĺô/ÇÁ¶û½º)Ⓑ 2016.05.30~06.05 Finding Flow (¼ö¼º¾ÆÆ®ÇÇ¾Æ È£¹Ý°¶·¯¸®, ´ë±¸/Çѱ¹) 2016.01.08~01.10 KÜNSTLERMESSE DRESDEN_°³ÀκνºÃÊ´ëÀü (µå·¹½ºµ§ ¹Ú¶÷ȸÀå, µå·¹½ºµ§/µ¶ÀÏ)Ⓑ 2015.12.28~2016.01.03 KOREALIVE-FINE ART-°³ÀκνºÃÊ´ëÀü (D'ART SCY Gallery, ¿ËÇ÷ڸ£/ÇÁ¶û½º)Ⓑ 2015.02.26~03.11 µµ°øÀÇ ³¯°³ (Çö´ë¹éÈÁ¡ °¶·¯¸®H, ûÁÖ/Çѱ¹) 2014.09.12~09.28 Korea-Live_°³ÀκνºÃÊ´ëÀü (Zeitenströmung Àü½ÃÀå, µå·¹½ºµ§/µ¶ÀÏ)Ⓑ 2014.05.22~06.04 Potter¡¯s Wing (¸ð¸®½º°¶·¯¸®, ´ëÀü/Çѱ¹) 2013.10.10~10.14 ±¹Á¦¾ÆÆ®¼î-´ëÀü (´ëÀü¹«¿ªÀü½Ã°ü, ´ëÀü/Çѱ¹)Ⓑ 2013.01.14~03.03 Àç¹Õ´Â¹Ì¼ú°üÀü-°³ÀκνºÃÊ´ëÀü (Çö´ë¿¹¼ú°ü, ¿ï»ê/Çѱ¹)Ⓑ 2011.04.06~04.12 The Butterfly (°¡³ª¾ÆÆ®½ºÆäÀ̽º, ¼¿ï/Çѱ¹) 2010.04.07~04.13 The Butterfly (°¶·¯¸®ÀÌÁî, ¼¿ï/Çѱ¹) 2009.09.05~09.25 Le Papillon (¸ð¸®½º°¶·¯¸®, ´ëÀü/Çѱ¹) 2009.04.08~04.14 ¹ÚÁ¦µÈ ÀÚÀ¯ (°¡³ªÀÎ»ç¾ÆÆ®¼¾ÅÍ, ¼¿ï/Çѱ¹) 2008.10.31~11.13 Moons Marbling (°¶·¯¸®¼ÒÈ£, ´ëÀü/Çѱ¹) 2006.09.01~09.07 Iris Carnival (ŸÀÓ¿ùµå°¶·¯¸®, ´ëÀü/Çѱ¹) 2005.04.01~04.07 ¹®¼ö¸¸Àü (ŸÀÓ¿ùµå°¶·¯¸®, ´ëÀü/Çѱ¹) 2004.09.09~09.14 ºÎ½º°³ÀÎÀü (ÄÚ¿¢½ºÄÁº¥¼ÇȦ, ¼¿ï/Çѱ¹)Ⓑ
±×·ìÀü(¾ÆÆ®Æä¾î, ±âŸ Àü½Ã°ü·Ã Æ÷ÇÔ) 300¿©È¸ 2022.02 Extra - Maximum - Minimum (°¶·¯¸® MHK, ¼¿ï/Çѱ¹) 2022.02 ¾Æ¹«¸»µµ ÇÏÁö¾Ê¾Ò´Ù. ¾Æ¹«°Íµµ ÇÏÁö¾Ê¾Ò´Ù (°¶·¯¸® ÀÚÀÎÁ¦³ë, ¼¿ï/Çѱ¹) 2021.12 «³«ó«¯«êー«È・ì£・«â«ë V (GALLERYÝÁå¯÷ø, °íº£/ÀϺ») 2021.11 ASIA HOTEL ART FAIR (¼¾Æ®·²¹ÂÁö¾ö, ¼¿ï/Çѱ¹) 2021.11 ¹®ÀÚÀÇ ±â¾ï (¹®ÈÁ¦Á¶Ã¢, ûÁÖ/Çѱ¹) 2021.10 ¾¾¿Ãȸ Á¤±âÀü (°¡³ªÀÎ»ç¾ÆÆ®¼¾ÅÍ 2Ãþ, ¼¿ï/Çѱ¹) 2021.10 3ÀÎ ÃÊ´ëÀü (Gallery SOSA, ºÎõ/Çѱ¹) 2021.10 ¾ÆÆ¼½ºÆ®12 : µ¿° (507¹Ì¼ú°ü, Á¤¼±/Çѱ¹) 2021.08 FOCUS LONDON 2021 (Saatchi Gallery, FOLD Gallery, ·±´ø/¿µ±¹) 2021.06 FOCUS PARIS 2021 (Atelier Richelieu, ÆÄ¸®/ÇÁ¶û½º) 2021.04 °æ±â¹Ì¼ú Ä÷º¼Ç Ưº°Àü (°æ±âõ³â±æ °¶·¯¸®, ¾È»ê/Çѱ¹) 2020.10 ·Î±×¾ÆÆ®[Àç¹ÌÁö°í] (ûÁÖ¹®ÈÁ¦Á¶Ã¢ 3Ãþ, ûÁÖ/Çѱ¹) 2020.08 WALKING IN THE ERA (ART MORA GALLERY, ´ºÀúÁö/¹Ì±¹) 2020.01 Á¦24ȸ ÀϺÒÇö´ë±¹Á¦¹Ì¼úÀü (±¹¸³½Å¹Ì¼ú°ü, µµÄì/ÀϺ») 2019.08 Íì÷×ÝÂÙ½¡¤ÌÂé»-ÁßÇÑ´ç´ë¿¹¼ú±³·ùÀü (´Þ°ü¹Ì¼ú°ü, ¿þ¾ç/Áß±¹) 2019.07 Korea Live 2019 ROUEN (Halle Aux Toiles, ·ç¾Ó/ÇÁ¶û½º) 2019.05 ì¹动îÜ经验-ÁßÇÑ´ç´ë¿¹¼ú±³·ùÀü (í¹ÒúÓÑ艺术á³镇çé号仓Ú¸术馆, ±¤Àú¿ì/Áß±¹) 2019.01 ð¯23üÞ ìí仏úÞÓÛ国ð·Ú¸âúî÷ (±¹¸³½Å¹Ì¼ú°ü, µ¿°æ/ÀϺ») 2018.11 ÇÑÁß±³·ùÀü ¡°Íì÷×ÝÂÙ½-ÎßÊî÷ (ÁÖÁßÇѱ¹¹®È¿ø, º£ÀÌ¡/Áß±¹) 2018.11 ¼¼°èÇѹÎÁ·¹Ì¼ú´ëÃàÁ¦ (¿¹¼úÀÇÀü´ç ÇѰ¡¶÷µðÀÚÀι̼ú°ü, ¼¿ï/Çѱ¹) 2018.10 ICA ÇÑÀÏÇö´ë¹Ì¼úÀü (Ãæ¹«¾ÆÆ®¼¾ÅͰ¶·¯¸®, ¼¿ï/Çѱ¹) 2018.08 KLAF-ÃÊ´ëÀü (Halle Aux Toiles, ·ç¾Ó/ÇÁ¶û½º) 2018.06 ÇÁ¶óÆ® 3ÀÎÀü (¿îº¸¹Ì¼ú°ü, ûÁÖ/Çѱ¹) 2018.06 ð¯ÞÌ届¡°Íì÷×ÝÂÙ½¡±ñé韩当ÓÛ艺术Îß×µî÷ (à÷Ô´Õóìí画ÕÆñéãý, û¶Ñ/Áß±¹) 2018.05 Pentas+ Exhibition (Çà°£°ú¿©¹é°¶·¯¸®, ÆÄÁÖ/Çѱ¹) 2017.12 <¿Ü¹æÈ»ç>11ÀÎ ÃÊ´ëÀü (¿Ã¹Ì¾ÆÆ®½ºÆäÀ̽º, ¼¿ï/Çѱ¹) 2017.12 ¼¿ï±¹Á¦¹Ì¼úÁ¦ (Á¶¼±ÀϺ¸¹Ì¼ú°ü, ¼¿ï/Çѱ¹) 2017.11 ´ëÀü±¹Á¦¾ÆÆ®¼î (´ëÀü¹«¿ªÀü½Ã°ü ¾ÆÆ®ÇãºêºÎ½º, ´ëÀü/Çѱ¹) 2017.11 ROTC ÀÛ°¡ÃÊ´ëÀü (³ª¸¶°¶·¯¸®, ¼¿ï/Çѱ¹) 2017.10 ÇÑÀÏÇö´ë¹Ì¼úµ¿ÇàÀü (Á¶¼±ÀϺ¸¹Ì¼ú°ü, ¼¿ï/Çѱ¹) 2017.09 Art Group TER Á¤±âÀü & AIAA ±³·ùÀü (¾Æ¶ó¾ÆÆ®¼¾ÅÍ, ¼¿ï/Çѱ¹) 2016.10 ÇÑÁß¿¹¼ú°¡±³·ùÀü (±æ¸²¿¹¼ú´ëÇй̼ú°ü, ÀåÃá/Áß±¹) 2016.10 ÀÏÇÑÇö´ë¹Ì¼úµ¿ÇàÀü (È¿°íÇö¸³¾ÆÆ®°¶·¯¸®, °íº£/ÀϺ»)
ÀÛǰ¼ÒÀå ´ëÇѹα¹ ±¹È¸ÀÇÀå Áý¹«½Ç, ¾Æ¶ø¿¡¹Ì¸®Æ® Çѱ¹´ë»ç°ü, µ¶ÀÏ STULZ°¡¹®, ±¹¸³Çö´ë¹Ì¼ú°ü, °æ±âµµ¹Ì¼ú°ü, ¼¿ï´ëÇб³º´¿ø, Ãæ³²´ëÇб³, ÀϺ» GALLERYÝÁå¯÷ø
¼ö»ó 2020 »ì·Õ¡¤ºí¶û¹Ì¼úÇùȸ ȸÀå»ó (Á¦24ȸ ÀϺÒÇö´ë±¹Á¦¹Ì¼úÀü, ÀϺ»µµÄì ±¹¸³½Å¹Ì¼ú°ü) 2014 ȶû»ó-ÀϺ» GALLERYÝÁå¯÷ø (Á¦10ȸ ÀÏÇÑÇö´ë¹Ì¼úµ¿ÇàÀü, ÀϺ»°íº£ Çϸ®´Ù³ë¸ð¸® ¹Ì¼ú°ü) 1994 ƯÇãûÀåǥâ-¿ì¼ö¹ß¸í°¡ (¹ß¸íÁøÈï´ëȸ, ƯÇãû) 1993 »ó°øÀÚ¿øºÎÀå°ü»ó-Good Design (¿ì¼ö»óǰµðÀÚÀÎ ¼±Á¤Á¦, µðÀÚÀÎÆ÷Àå¼¾ÅÍ)
ÇöÀç Çѱ¹¹Ì¼úÇùȸ, ÆÄÁÖ¾ÆÆ®º¡Ä¿, ¾¾¿Ãȸ, °øÅëºÐ¸ð-ÇÑÁß±³·ùÀü, ICA-±¹Á¦Çö´ë¹Ì¼úÇùȸ
ÁÖ¼Ò : (11520) °æ±âµµ ¾çÁֽà ÀåÈï¸é ±ÇÀ²·Î 139(ÀÏ¿µ¸® 6-1) °¡³ª¾Æ¶ã¸®¿¡ 1-101È£ Email : mooons@nate.com / Cell : 010-6310-5555 Interview : https://blog.naver.com/k-auction/222707379648
Artist Statement
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Sooman Moon
Born 1962
Affiliation JH Gana Atelier, resident Artist
Education Hongik University Graduate School of Art, majoring in painting Completed a master's course in fine arts at the Graduate School of Hannam University in South Korea Graduated from the Department of Mechanical Engineering, Myongji University in South Korea
Collection of Works Korean National Assembly Speaker's Office, U.A.E. Korea Embassy, Germany STULZ family, Ministry of Culture, National Museum of Contemporary Art, Gyunggi Museum of Modern Art, Seoul National University, Chungnam National University, Japan Gallery Kitanozaka, numerous private collections
Awards and Specials 1993 Minister of Commerce, Industry and Energy Award - Good Design 1994 Award from the Korean Intellectual Property Office 2007 Excellence Prize - Environmental Art Competition 2014 Gallery Award (Gallery Kitanozaka, 10th Japan-Korea Contemporary Art Companion Exhibition) 2020 Salon¡¤Blanc Art Association Chairman Award - 24th Japan¡¤France International Exhibition of Contemporary Art
Present Affiliations Korea Art Association, Common Denominations-Korea China Interchange Exhibition, ICA International Contemporary Art Association, Paju Art Bunker Cooperation
Contact Informations Mailing Address 1: Moons Atelier 52, Gochujamjari-gil, Tanhyeon-myeon, Paju-si, Gyeonggi-do, Republic of Korea Mailing Address 2: (Gana1Atelier 101) 139, Gwonyul-ro, Jangheung-myeon, Yangju-si, Gyeonggi-do, Republic of Korea Email : mooons@nate.com Solo Exhibitions (Includes booth private exhibition) 2022.08.01~08.27 Connecting the Dots : Moonsooman Invitational Exhibition (TTE Art Gallery, Seoul/Korea) 2022.06.15~06.18 Korea Art Fair (COEX Hall A, Seoul/Korea)Ⓑ 2021.09.10~10.14 The Immersion : Moonsooman Invitational Exhibition (GS Tower The Street Gallery, Seoul/Korea) 2021.11.14~11.18 Art Cheongju Booth Invitation Exhibition (Cheongju Arts Center, Cheongju/Korea)Ⓑ 2021.08.05~08.08 Korea Art Fair (COEX Hall A, Seoul/Korea)Ⓑ 2020.10.01~10.15 Moon Soo Man-Drawing Exhibition (Yeonjeong Gallery, Incheon/Korea) 2020.04.28~05.24 Free Will (Cenacolo Gallery, Incheon/Korea) 2020.02.25~03.01 The cycle of life (GALLERY Kitanozaka, Kobe/Japan) 2019.02.25~03.03 Butterfly Dream (GALLERY Kitanozaka, Kobe/Japan) 2018.12.12~12.17 Ewig Wiederkehren (Insa Gana Art Center, Seoul/Korea) 2018.08.03~08.31 Eternal Recur (Kimboseong Art Center, Seoul/Korea) 2018.06.28~07.04 Eternal Recur (Woonbo Art Museum, Cheongju/Korea) 2018.06.13~06.18 Korea Contemporary Art Art Fair Booth Exhibition (Incheon Culture and Arts Center, Incheon/Korea)Ⓑ 2018.05.22~05.27 Gate of Time (GALLERY Kitanozaka, Kobe/Japan) 2018.01.20~02.02 Gate of Time (Gallery GO, Incheon/Korea) 2017.04.06~04.19 Fractal (Morris Gallery, Daejeon/Korea) 2016.10.11~10.16 Potter¡¯s Wing (Gallery Kitanozaka, Kobe/Japan) 2016.09.07~09.14 'Souffle du millenaire' International Art Exhibition (Église Saint-Pierre deTouques, Tourville/France)Ⓑ 2016.05.30~06.05 Finding Flow (Suseong Artpia, Daegu/Korea) 2016.01.08~01.10 KÜNSTLERMESSE DRESDEN 2016 (Messe Dresden, Dresden/Germany)Ⓑ 2015.12.28~2016.01.03 Korea Live Fine Art (D'art SCY Gallery, Honfleur/France)Ⓑ 2015.02.26~03.11 Potter¡¯s Wing (Gallery H, Cheongju/Korea) 2014.09.12~09.28 Korea-Live Dresden 2014 (Zeitenströmung, Dresden/Germany)Ⓑ 2014.05.22~06.04 Potter¡¯s Wing (Morris Gallery, Daejeon/Korea) 2013.10.10~10.14 Daejeon International Art Show (Korea Trade Exhibition Center, Daejeon, Korea)Ⓑ 2013.01.14~03.03 Exhibition Interesting Museum (Hyundai Culture & Art Center, Ulsan/Korea)Ⓑ 2011.04.06~04.12 The Butterfly (Gana Art Space, Seoul/Korea) 2010.04.07~04.13 The Butterfly (Gallery Is, Seoul/Korea) 2009.09.05~09.25 Le Papillon (Morris Gallery, Daejeon/Korea) 2009.04.08~04.14 Stuffed Freedom (Gana Insa Art Center, Seoul/Korea) 2008.10.31~11.13 Moons Marbling (Gallery Soho, Daejeon/Korea) 2006.09.01~09.07 Iris Carnival (Gallery Time World, Daejeon/Korea) 2005.04.01~04.07 the Flower (Gallery Time World, Daejeon/Korea) 2004.09.09~09.14 Moon's Flowers (COEX Convention Hall, Seoul/Korea)Ⓑ
Selected Invitation group exhibition 2022.02 Extra - Maximum - Minimum (Gallery MHK, Seoul/Korea) 2022.02 You didn't say anything. I did nothing (Gallery Zeinxeno, Seoul/Korea) 2021.12 Concrete・2・Moll V (GALLERY Kitanozaka, Kobe/Japan) 2021.11 ASIA HOTEL ART FAIR (Central Museum, Seoul/Korea) 2021.11 Memory of characters (Cultural Manufacturing Space, Cheongju/Korea) 2021.10 Ciol Regular Exhibition (Gana Insa Art Center 2nd floor, Seoul/Korea) 2021.10 3 Invitational Exhibition (Gallery SOSA, Bucheon/Korea) 2021.10 Artist 12 : Donggang (507 Art Museum, Jeongseon/Korea) 2021.08 FOCUS LONDON 2021 (Saatchi Gallery, FOLD Gallery, London/UK) 2021.06 FOCUS PARIS 2021 (Atelier Richelieu, Paris/France) 2021.04 Gyeonggi Art Collection Special Exhibition (Gyeonggi Millennium-gil Gallery, Ansan/Korea) 2020.11 Zero Base Auction Preview (Seoul Auction Gangnam Center B4¡¤B5, Seoul/Korea) 2020.10 Log Art [Jaemijigo] Art Fair (Cheongju Culture Manufacturing Space 3F, Cheongju/Korea) 2020.08 WALKING IN THE ERA (ART MORA GALLERY, New Jersey /USA) 2020.01 The 24th Japanese and French Contemporary Art Exhibition (National Museum of Art, Tokyo/Japan) 2019.08 'Compatibility' China-Korea International Exchange Exhibition (Dalgwan Museum of Art, Yueyang/China) 2019.07 Korea Live 2019 ROUEN (Halle Aux Toiles, Rouen/France) 2019.05 Experiences of Movement-Korea-China Invitational Exhibition (Zanidang Art Museum, Guangzhou/China) 2019.01 The 23rd Japanese and French Contemporary Art Exhibition (National Museum of Art, Tokyo/Japan) 2018.11 Korea-China Exchange Exhibition 'Sympathetic' (Korean Cultural Center in China, Beijing/China) 2018.11 World Korean National Art Festival (Seoul Arts Center, Hangaram Design Museum, Seoul/Korea) 2018.10 ICA Korean and Japanese Contemporary Art Exhibition (Chungmu Art Center Gallery, Seoul/Korea) 2018.08 KLAF-Booth Invitational Exhibition (Halle Aux Toiles, Rouen/France) 2018.08 Wonderland (Gallery Geo, Incheon/Korea) 2018.06 Prath 3 Artists Exhibition (Woonbo Museum of Art, Cheongju/Korea) 2018.06 'Common denominator' China-Korea Exchange Exhibition (Chengdu Liri Gallery Center, Chengdu/China) 2018.05 Pentas+-Spring9 Exhibition (Leading and Margin Gallery, Paju/Korea) 2018.04 Everything under the sun (Gallery Toast, Seoul/Korea) 2017.12 <Foreign Paintings> 11Artists Invited Exhibition (Allmee Art Space, Seoul/Korea) 2017.12 Seoul International Art Festival (Chosun Ilbo Art Museum, Seoul/Korea) 2017.11 Daejeon International Art Show (Daejeon Trade Exhibition Center Art Hub Booth, Daejeon/Korea) 2017.11 ROTC Artist Invitation Exhibition (Nama Gallery, Seoul/Korea) 2017.09 Art Group TER Regular Exhibition & AIAA Exchange Exhibition (Ara Art Center, Seoul/Korea) 2017.07 The 2nd Prath Exhibition (Woonbo Art Museum, Cheongju/Korea) 2017.05 <MILKY WAY> Exhibition (Gallery Daon, Seoul/Korea) 2016.10 Korea-China Artist Exchange Exhibition (Jilin University of the Arts Museum of Art, Changchun/China) 2016.10 Japan-Korea Contemporary Art Exhibition (Hyogo Prefectural Art Gallery, Kobe/Japan) 2016.03 Rialism 3Artists (DGB Gallery, Daegu/Korea) 2015.10 Korean-Japanese Contemporary Art Exhibition (Seoul Metropolitan Museum of Art, Seoul/Korea) 2015.10 KIAF (Coex booth 166, Seoul/Korea) 2015.07 PRATH 3Artists Exhibition (Gallery Art World, Seoul/Korea) 2015.04 Art Group Ter Regular Exhibition (Gana Insa Art Center, Seoul/Korea) 2015.03 Gallery Art Festival (64 booths at COEX, Seoul/Korea) 2014.10 Korean-Japanese Contemporary Art Exhibition (Haridanomori Gallery, Kobe/Japan) 2014.09 AIAA Korea-Japan Exchange Exhibition (Akida Prefectural Museum of Art, Akida/Japan) 2014.06 PENTAS+TANTAN Exhibition 200ho (Samtan Artmine, Jeongsun/Korea) 2012.02 Global & Local in Cuba (EL Trasgu, Havana/Cuba) ¡¤ More than 250 other exhibitions Artist Statement
The theme that penetrates many series of my works is the ¡®expression of my will to be free through immersion¡¯. The immersion enables me to dominate the canvas with infinite imagination. When I was exhausted by engineering figures filling my whole head in my early days, something offered its hand to me in the last place, which was my old dream to become a painter. The dream has come true now. The meticulous engineering disposition in the past has been changed into persistent concentration on arts, and the results of the immersion have been fully represented as works. The canvas looks like filled with machine parts interlocked with each other. If you take a close look, however, you can see that the marginal space is regarded as more important than entities. In other words, it means that the freedom is always in the order, and it also includes rules inside. The representation of order and rules, and space and freedom is reflecting my thoughts about life as a painter. I want to be remembered as an artist who is always proactive for changes without settling down in the same spot. If my works in the early stage are compared with the current works, it might be difficult to guess that they have been drawn by the same artist. However, the middle process shows that they have been changed just like a word association game. The narrative including humans¡¯ entangled relations and our history in the base part of those works, becomes the matrix of works, so it is in the same context with humans¡¯ nature that does not change despite the ever-changing external transformation.
Criticism of Cloud series
Grains which have achieved civilization were embedded in paintings
Lee, Seonyeong (Art critic) Moon, Sooman who have published a lot of works of the central structure utilizes a material of rice as a morpheme in their work in recent years. Spirituality is connected in the refined screens of lines of shapes or monochrome atmospheres. The concept which is difficult to be standardized like nothing (Ùí), voidness (Íö), and weakness (úÈ) can be subject to put them into their paintings. The round structure in putting opposite things together is easy as the ends are connected to each other. The horizontal structure emphasizes the feeling to be extended to the outside of the screens and sets the relationship with infinity. His works of art catch pieces in the middle of beginnings and ends. The middle is limited as a piece of infinity and variations of his works of art are limitless. It simultaneously emphasizes splendid and meditative atmospheres as diversity is concentrated into one. The artist aims at smooth connection of every color. If it is scenery, it is the sky, the ocean, or all of them and the color bands in the screens play a role of signs to inform you of important events like sunrise and horizon to be their axes.
The particles which fill the screens to be concentric circles or be horizontal are the colors and light, transfer between both sides, and the material which symbolizes the important reality on the ground. The title of 'Cloud' implies the most natural thing against the sky and at the same time, it also symbolizes a store of information to be shared in modern digital culture. The grain-shaped particles fill a store and the artist treats the relationship between material and culture. If the points are geometric and abstract elements, rice is an organic and material element. Morphemes which are regularly arranged feel like letters. Rice can emphasize civilization, in other words, the point to enable civilization based on literacy beyond orality. It is filled with diversity even though he did not personally dot with a brush because the complicate production process. Despite only brushwork is easier, mechanical process is added one or two times because of diversity which can be done by involving calculation. His monochromatic paintings include time slots from splendid and refined urban civilization to rice farming in the Korean Peninsula. Especially, the artist focuses on ¡®Ú·¡¯, hieroglyph which means rice. The structure of running in all directions in the center is connected to his previous work. Traces of farming culture in Moon, Sooman's works of art are related to earthenware. Farming, the representative labor intensive industry, played a huge role in human socialization. The particles horizontally placed in the square works of art overlap unknown character strings and mean compatibility between information and existence. The store included in [Cloud no], the title of work of art exhibited this time, means a collection of information of events in disks. As rice of surpluses collected achieved civilization, information is a reservoir of energy like rice. If the Neolithic Age when farming began is revolution, the information age is also revolution. The works of art which added a level of information to natural images which are inherent in the horizontal composition are minimal art which stretches out to various metaphors. Art acts as a bridge between material and mind. The morpheme of rice chosen by Moon, Sooman has enough symbolism to represent material. It produces emotional or mental echoes and it's every audience for himself.
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