문수만 (文水萬) Moon Sooman
1962년 출생
소속 장흥 가나아뜰리에 입주작가
홍익대학교 미술대학원 회화전공 한남대학교 대학원 미술학 석사졸업
작품소장 대한민국 국회의장 집무실, 아랍에미리트 한국대사관, 독일 STULZ가문, 국립현대미술관, 경기도미술관, 서울대학교병원, 충남대학교, 일본 GALLERY北野坂, GOOGLE미국본사(VP), 갤러리MHK, 떼아트갤러리, 금보성아트센터 외 다수
수상 2020 살롱·블랑미술협회 회장상 (제24회 일불현대국제미술전, 일본도쿄 국립신미술관) 2014 화랑상-일본 GALLERY北野坂 (제10회 일한현대미술동행전, 일본고베 하리다노모리 미술관) 1994 특허청장표창-우수발명가 (발명진흥대회, 특허청) 1993 상공자원부장관상-Good Design (우수상품디자인 선정제, 디자인포장센터)
현재 한국미술협회, 파주아트벙커, 씨올회, 공통분모-한중교류전, ICA-국제현대미술협회
주소 : (11520) 경기도 양주시 장흥면 권율로 139(일영리 6-1) 가나아뜰리에 1-101호 Email : mooons@nate.com / Cell : 010-6310-5555
개인전 (Includes booth private exhibition:Ⓑ)
2023.02.16~02.21 Connecting the Dots (GALLERY北野坂, 고베/일본)
2022.08.01~08.27 Connecting the Dots : 문수만 초대전 (TTE Art Gallery, 서울/한국)
2022.06.15~06.18 Korea Art Fair (COEX Hall A, 서울, 한국)Ⓑ 2021.09.10~10.14 The Immersion : 문수만 초대전 (GS Tower The Street Gallery, 서울/한국) 2021.11.14~11.18 아트청주 부스초대전 (청주예술의전당, 청주/한국)Ⓑ 2021.08.05~08.08 Korea Art Fair (COEX Hall A, 서울, 한국)Ⓑ 2020.10.01~10.15 문수만 드로잉전 (연정갤러리, 인천/한국) 2020.04.28~05.24 Free Will (Cenacolo Gallery, 인천/한국) 2020.02.25~03.01 生命의循環 (GALLERY北野坂, 고베/일본) 2019.02.25~03.03 胡蝶之夢 (GALLERY北野坂, 고베/일본) 2018.12.12~12.17 永遠回歸3-영원회귀3 (인사아트센터, 서울/한국) 2018.08.03~08.31 永遠回歸2-Eternal Recur (금보성아트센터, 서울/한국) 2018.06.28~07.04 永遠回歸-Ewig Wiederkehren (운보미술관, 청주/한국) 2018.06.13~06.18 대한민국 현대미술 아트페어_개인부스초대전 (문화예술회관, 인천/한국)Ⓑ 2018.05.22~05.27 時間の門 (GALLERY北野坂, 고베/일본) 2018.01.20~02.02 Gate of Time (갤러리지오, 인천/한국) 2017.04.06~04.19 Fractal (모리스갤러리, 대전/한국) 2016.10.11~10.16 陶工の翼 (GALLERY北野坂, 고베/일본) 2016.09.07~09.14 'Souffle du millenaire' International Art Exhibition (Église Saint-Pierre deTouques, 트후빌/프랑스)Ⓑ 2016.05.30~06.05 Finding Flow (수성아트피아 호반갤러리, 대구/한국) 2016.01.08~01.10 KÜNSTLERMESSE DRESDEN_개인부스초대전 (드레스덴 박람회장, 드레스덴/독일)Ⓑ 2015.12.28~2016.01.03 KOREALIVE-FINE ART-개인부스초대전 (D'ART SCY Gallery, 옹플뢰르/프랑스)Ⓑ 2015.02.26~03.11 도공의 날개 (현대백화점 갤러리H, 청주/한국) 2014.09.12~09.28 Korea-Live_개인부스초대전 (Zeitenströmung 전시장, 드레스덴/독일)Ⓑ 2014.05.22~06.04 Potter’s Wing (모리스갤러리, 대전/한국) 2013.10.10~10.14 국제아트쇼-대전 (대전무역전시관, 대전/한국)Ⓑ 2013.01.14~03.03 재밌는미술관전-개인부스초대전 (현대예술관, 울산/한국)Ⓑ 2011.04.06~04.12 The Butterfly (가나아트스페이스, 서울/한국) 2010.04.07~04.13 The Butterfly (갤러리이즈, 서울/한국) 2009.09.05~09.25 Le Papillon (모리스갤러리, 대전/한국) 2009.04.08~04.14 박제된 자유 (가나인사아트센터, 서울/한국) 2008.10.31~11.13 Moons Marbling (갤러리소호, 대전/한국) 2006.09.01~09.07 Iris Carnival (타임월드갤러리, 대전/한국) 2005.04.01~04.07 문수만전 (타임월드갤러리, 대전/한국) 2004.09.09~09.14 부스개인전 (코엑스컨벤션홀, 서울/한국)Ⓑ
그룹전 2022.09 FOCUS PARIS 2022 (Carrousel du LOUVRE, 파리/프랑스)
2022.02 Extra - Maximum - Minimum (갤러리 MHK, 서울/한국) 2022.02 아무말도 하지않았다. 아무것도 하지않았다 (갤러리 자인제노, 서울/한국) 2021.12 コンクリート・二・モル V (GALLERY北野坂, 고베/일본) 2021.11 ASIA HOTEL ART FAIR (센트럴뮤지엄, 서울/한국) 2021.11 문자의 기억 (문화제조창, 청주/한국) 2021.10 씨올회 정기전 (가나인사아트센터 2층, 서울/한국) 2021.10 3인 초대전 (Gallery SOSA, 부천/한국) 2021.10 아티스트12 : 동강 (507미술관, 정선/한국) 2021.08 FOCUS LONDON 2021 (Saatchi Gallery, FOLD Gallery, 런던/영국) 2021.06 FOCUS PARIS 2021 (Atelier Richelieu, 파리/프랑스) 2021.04 경기미술 컬렉션 특별전 (경기천년길 갤러리, 안산/한국) 2020.10 로그아트[재미지고] (청주문화제조창 3층, 청주/한국) 2020.08 WALKING IN THE ERA (ART MORA GALLERY, 뉴저지/미국) 2020.01 제24회 일불현대국제미술전 (국립신미술관, 도쿄/일본) 2019.08 共通分母·兼容-중한당대예술교류전 (달관미술관, 웨양/중국) 2019.07 Korea Live 2019 ROUEN (Halle Aux Toiles, 루앙/프랑스) 2019.05 移动的经验-중한당대예술교류전 (紫泥堂艺术小镇五号仓美术馆, 광저우/중국) 2019.01 第23回 日仏現代国際美術展 (국립신미술관, 동경/일본) 2018.11 한중교류전 “共通分母-交感”展 (주중한국문화원, 베이징/중국) 2018.11 세계한민족미술대축제 (예술의전당 한가람디자인미술관, 서울/한국) 2018.10 ICA 한일현대미술전 (충무아트센터갤러리, 서울/한국) 2018.08 KLAF-초대전 (Halle Aux Toiles, 루앙/프랑스) 2018.06 프라트 3인전 (운보미술관, 청주/한국) 2018.06 第四届“共通分母”中韩当代艺术交流展 (成都黎日画廊中心, 청뚜/중국) 2018.05 Pentas+ Exhibition (행간과여백갤러리, 파주/한국) 2017.12 <외방화사>11인 초대전 (올미아트스페이스, 서울/한국) 2017.12 서울국제미술제 (조선일보미술관, 서울/한국) 2017.11 대전국제아트쇼 (대전무역전시관 아트허브부스, 대전/한국) 2017.11 ROTC 작가초대전 (나마갤러리, 서울/한국) 2017.10 한일현대미술동행전 (조선일보미술관, 서울/한국) 2017.09 Art Group TER 정기전 & AIAA 교류전 (아라아트센터, 서울/한국) 2016.10 한중예술가교류전 (길림예술대학미술관, 장춘/중국) 2016.10 일한현대미술동행전 (효고현립아트갤러리, 고베/일본) 외 200여회
Artist Statement
근래의 작업에서 쌀이라는 소재를 형태소로 활용한다. 무한을 연상시키는 형태의 도열이나 모노크롬 분위기의 정제된 화면에서 정신성은 이어진다. 무(無), 공(空). 허(虛) 같이 정형화되기 힘든 관념 또한 담기의 대상이 될 수 있다. 수평적 구도로 화면의 바깥으로 연장되는 느낌을 살리는 것은 무한함을 설정할 수 있음을 유도한다. 형태에 있어서 시작과 끝의 중간 토막을 신중히 포착하고 싶다. 이 중간은 무한의 한 토막으로서의 유한이며, 작품의 변주는 무한하다고 할 수 있다. 어떤 색이 공존하든 부드러운 연결을 지향한다. 그것이 풍경이라면 당연히 하늘이나 바다, 또는 그 모두이며, 화면 안의 색 띠는 일출같은 중요한 사건을 알리는 증후이자, 그 사건의 축이 되어주는 수평선이나 지평선 역할을 한다. 그것이 이념적 또는 세대 간의 경계라면 흡수와 동화, 이해와 소통을 의미한다. ‘Cloud’라는 제목은 하늘을 배경으로 떠 있는 가장 자연스러운 것을 암시함과 동시에 현대 디지털 문화에서 공유되고 있는 정보의 저장소를 상징한다. 저장소를 채우는 것은 쌀 알갱이 모양의 입자이며 물질과 문화의 관계를 맺는 매개체 역할을 한다. 점이 기하학적이고 관념적 요소라면, 쌀은 유기적이고 물질적인 요소라고 볼 수 있다. 쌀이라는 형태소를 통해 나는 자연의 실재를 추상화하려 한다. 2022.12.13 문수만
In the recent work, I use rice as a morpheme. In the refined screen filled with the line-up of shapes reminding of infinitude or monochrome mood, the spirituality is continued. The concepts that are hard to be standardized such as nothing, nought, and emptiness could be the object of containing. Highlighting the feeling like expanding outside the screen in the horizontal structure, induces the possibility of setting up the infinitude. I want to carefully capture the middle piece between beginning and end of shape. This middle could be finite as a piece of infinitude, and the variation of work could be infinite. No matter which colors coexist, it aims for soft connection. If it is a landscape, it is certainly the sky, sea, or everything. And the color strip in the screen is working as the horizon that is the axis of the event as a sign informing an important event like sunrise. If it is the boundary between ideologies or generations, it means absorption and assimilation, and understanding and communication. The title ‘Cloud’ not only implies something the most natural floating in the sky, but also symbolizes the information repository shared in modern digital culture. The repository is filled with rice-shaped particles, which is working as a medium of the relation between material and culture. When a point is a geometric and conceptual element, rice could be viewed as an organic and material element. “I aim to abstract the reality of nature through the morpheme of rice.” Dec. 13, 2022 Soo-Man Moon
私は最近の作業で「コメ(米)」という素材を形態素として活用している。無限を連想させる形態の一連の列やモノクロ雰囲気の精製された画面で精神性は続く。「無」、「空」、「虚」のように定型化されにくい観念もやはり盛り込む対象になりうる。水平的構図で画面の外へ延長される感じを活かすことは無限さを設定できることを誘導する。形態において始まりと終わりの中間を慎重に捉えたい。この中間は無限の一部分として有限であり、作品の変奏は無限であると言える。どんな色が共存しようがやさしいつながりを目指す。それが風景ならば当然空か海、もしくはそのすべてである。なお、画面の中の色帯は日の出のような重要な事件を知らせる症候であり、その事件の軸になってくれる水平線か地平線の役割をする。また、それが理念的もしくは世帯間の境界ならば吸収と同化、理解と疎通を意味する。「Cloud」というタイトルは空を背景に浮いている最も自然なものを暗示すると同時に現代デジタル文化の中で共有されている情報の貯蔵庫を象徴する。貯蔵庫を埋めているのは米粒状の粒子であって物質と文化の関係を結び付ける媒体としての役割を担う。点が幾何学的かつ観念的な要素であるとすればコメは有機的かつ物質的な要素であると言える。「コメ(米)という形態素を通じて私は自然の実在を抽象化したいと思う。」
2022.12.13 ムン・スマン
In meiner jüngsten Arbeit verwende ich das Material von Reis als Morphem. Spiritualität setzt sich in der an die Unendlichkeit erinnernden Anordnung von Formen oder auf der raffinierten Leinwand mit einer monochromen Atmosphäre fort. Schwer zu gestaltende Ideen wie Nichts, Leere und Zwecklosigkeit können auch Objekte sein, die enthalten sein können. Die Belebung des Gefühls, sich in einer horizontalen Komposition bis zur Außenseite der Leinwand zu erstrecken, führt zu der Möglichkeit, Unendlichkeit einzustellen. Ich möchte den mittleren Teil zwischen Anfang und Ende der Form sorgfältig erfassen. Diese Mitte ist endlich als ein Teil der Unendlichkeit und die Variationen des Werks können als unendlich bezeichnet werden. Wenn es sich um eine Landschaft handelt, ist es natürlich der Himmel, das Meer oder beides, und das Farbband auf der Leinwand ist ein Symptom, das ein wichtiges Ereignis wie den Sonnenaufgang ankündigt, und dient als Horizont am See oder Horizont, der zur Achse dieses Ereignisses wird. Wenn es eine ideologische oder Generationengrenze ist, bedeutet es Absorption und Assimilation, Verständnis und Kommunikation. Der Titel „Cloud“ impliziert das Natürlichste, das am Himmel schwebt, und symbolisiert gleichzeitig die Speicherung von Informationen, die in der modernen digitalen Kultur geteilt werden. Den Speicher füllen reiskornförmige Partikel, die als Medium dienen, um eine Beziehung zwischen Material und Kultur herzustellen. Wenn ein Punkt ein geometrisches und abstraktes Element ist, kann Reis als organisches und materielles Element angesehen werden. „Durch das Morphem von Reis versuche ich, die Realität der Natur zu abstrahieren“. 13. 12. 2022 Moon Soo Man
我在最近的工作中，把大米这个材料用作形态素。精神性在让人联想起无限的形态排列或单色氛围的精制画面中延续。像无、空、虚一样难以定型化的观念也可以成为表现对象。以水平结构表现出向画面外延长的感觉，诱导可以设定无限。想要在形态方面捕捉开始和结束的中间段。中间是无限的一段有限，作品的变奏可以说是无限的。不管什么颜色共存，目标都是柔和的连接。如果那是风景，当然是天空、大海或全部，画面中的色带是表现出日出等重要事件的症候，也发挥成为其事件轴心的水平线或地平线的作用。如果这是理念或代际的境界，就意味着吸收和同化、理解和沟通。“Cloud”这个标题暗示着以天空为背景漂浮的最自然的事物，同时也象征着现代数字文化中共享信息的储存所。填满储存所的是米粒形状的颗粒，发挥物质与文化关系的媒介作用。如果说点是一个几何和观念因素，那么大米就是一个有机和物质因素。“我想通过大米这个形态素抽象化自然的真实存在。” 2022.12.13 文秀万
Dans mes travaux récents, j'utilise la matière du riz comme morphème. La spiritualité se poursuit sur l'écran raffiné avec une forme évoquant l'infini ou une ambiance monochrome. Comme Rien, Vide. Néant, les idées difficiles à standardiser peuvent également faire l'objet d'un contenance. Evoquer un sentiment d'extension vers l'extérieur de l'écran avec une composition horizontale conduit à la possibilité de fixer l'infini. En termes de forme, je veux attraper prudemment la partie médiane entre le début et la fin. Ce milieu est un fini comme un morceau d'infini, et les variations de l'œuvre peuvent être dites infinies. Quelle que soit la couleur qui coexiste, je vise une connexion douce. S'il s'agit d'un paysage, c'est bien sûr le ciel, la mer, ou les deux, et c'est est un symptôme qui annonce un événement important comme un lever de soleil coloré sur l'écran, et sert de ligne horizontale ou d'horizon qui devient l'axe de l'événement. S'il s'agit d'une frontière idéologique ou générationnelle, cela signifie absorption et assimilation, compréhension et communication. Le titre "Cloud" implique la chose la plus naturelle qui flotte dans le ciel et en même temps cela symbolise le stockage d'informations partagées dans la culture numérique moderne. Les choses qui remplissent le stockage est de particules en forme de grains de riz qui servent un intermédiaire pour établir une relation entre le matériel et la culture. Si un point est un élément géométrique et abstrait, le riz peut être vu comme un élément organique et matériel. "A travers du riz comme un morphème, j'essaie d'abstraire la réalité de la nature." 2022.12.13 Sooman MOON ◈
Sooman Moon
Born in 1962
Affiliation JH Gana Atelier, resident Artist
Education Hongik University Graduate School of Art, majoring in painting Completed a master's course in fine arts at the Graduate School of Hannam University in South Korea Graduated from the Department of Mechanical Engineering, Myongji University in South Korea
Collection of Works Korean National Assembly Speaker's Office, U.A.E. Korea Embassy, Germany STULZ family, Ministry of Culture, National Museum of Contemporary Art, Gyunggi Museum of Modern Art, Seoul National University, Chungnam National University, Gallery Kitanozaka(Japan), Google US Headquarters(VP), Gallery MHK, TTE Art Gallery, KIMBOSEONG Art Center, numerous private collections
Awards and Specials 1993 Minister of Commerce, Industry and Energy Award - Good Design 1994 Award from the Korean Intellectual Property Office 2007 Excellence Prize - Environmental Art Competition 2014 Gallery Award (Gallery Kitanozaka, 10th Japan-Korea Contemporary Art Companion Exhibition) 2020 Salon·Blanc Art Association Chairman Award - 24th Japan·France International Exhibition of Contemporary Art
Present Affiliations Korea Art Association, Common Denominations-Korea China Interchange Exhibition, ICA International Contemporary Art Association, Paju Art Bunker Cooperation
Contact Informations Mailing Address 1: Moons Atelier 52, Gochujamjari-gil, Tanhyeon-myeon, Paju-si, Gyeonggi-do, Republic of Korea Mailing Address 2: (Gana1Atelier 101) 139, Gwonyul-ro, Jangheung-myeon, Yangju-si, Gyeonggi-do, Republic of Korea Email : mooons@nate.com Solo Exhibitions (Includes booth private exhibition:Ⓑ) 2023.02.16~02.21 Connecting the Dots (Gallery Kitanozaka, Kobe/Japan)
2022.08.01~08.27 Connecting the Dots : Moonsooman Invitational Exhibition (TTE Art Gallery, Seoul/Korea)
2022.06.15~06.18 Korea Art Fair (COEX Hall A, Seoul/Korea)Ⓑ
2021.09.10~10.14 The Immersion : MOONSOOMAN Invitational Exhibition (GS Tower The Street Gallery, Seoul/Korea) 2021.11.14~11.18 Art Cheongju Booth Invitation Exhibition (Cheongju Arts Center, Cheongju/Korea)Ⓑ 2021.08.05~08.08 Korea Art Fair (COEX Hall A, Seoul/Korea)Ⓑ 2020.10.01~10.15 Moon Soo Man-Drawing Exhibition (Yeonjeong Gallery, Incheon/Korea) 2020.04.28~05.24 Free Will (Cenacolo Gallery, Incheon/Korea) 2020.02.25~03.01 The cycle of life (Gallery Kitanozaka, Kobe/Japan) 2019.02.25~03.03 Butterfly Dream (Gallery Kitanozaka, Kobe/Japan) 2018.12.12~12.17 Ewig Wiederkehren (Insa Gana Art Center, Seoul/Korea) 2018.08.03~08.31 Eternal Recur (Kimboseong Art Center, Seoul/Korea) 2018.06.28~07.04 Eternal Recur (Woonbo Art Museum, Cheongju/Korea) 2018.06.13~06.18 Korea Contemporary Art Art Fair Booth Exhibition (Incheon Culture and Arts Center, Incheon/Korea)Ⓑ 2018.05.22~05.27 Gate of Time (Gallery Kitanozaka, Kobe/Japan) 2018.01.20~02.02 Gate of Time (Gallery GO, Incheon/Korea) 2017.04.06~04.19 Fractal (Morris Gallery, Daejeon/Korea) 2016.10.11~10.16 Potter’s Wing (Gallery Kitanozaka, Kobe/Japan) 2016.09.07~09.14 'Souffle du millenaire' International Art Exhibition (Église Saint-Pierre deTouques, Tourville/France)Ⓑ 2016.05.30~06.05 Finding Flow (Suseong Artpia, Daegu/Korea) 2016.01.08~01.10 KÜNSTLERMESSE DRESDEN 2016 (Messe Dresden, Dresden/Germany)Ⓑ 2015.12.28~2016.01.03 Korea Live Fine Art (D'art SCY Gallery, Honfleur/France)Ⓑ 2015.02.26~03.11 Potter’s Wing (Gallery H, Cheongju/Korea) 2014.09.12~09.28 Korea-Live Dresden 2014 (Zeitenströmung, Dresden/Germany)Ⓑ 2014.05.22~06.04 Potter’s Wing (Morris Gallery, Daejeon/Korea) 2013.10.10~10.14 Daejeon International Art Show (Korea Trade Exhibition Center, Daejeon, Korea)Ⓑ 2013.01.14~03.03 Exhibition Interesting Museum (Hyundai Culture & Art Center, Ulsan/Korea)Ⓑ 2011.04.06~04.12 The Butterfly (Gana Art Space, Seoul/Korea) 2010.04.07~04.13 The Butterfly (Gallery Is, Seoul/Korea) 2009.09.05~09.25 Le Papillon (Morris Gallery, Daejeon/Korea) 2009.04.08~04.14 Stuffed Freedom (Gana Insa Art Center, Seoul/Korea) 2008.10.31~11.13 Moons Marbling (Gallery Soho, Daejeon/Korea) 2006.09.01~09.07 Iris Carnival (Gallery Time World, Daejeon/Korea) 2005.04.01~04.07 the Flower (Gallery Time World, Daejeon/Korea) 2004.09.09~09.14 Moon's Flowers (COEX Convention Hall, Seoul/Korea)Ⓑ
Selected Invitation group exhibition 2022.09 FOCUS PARIS 2022 (Carrousel du LOUVRE, Paris/France)
2022.02 Extra - Maximum - Minimum (Gallery MHK, Seoul/Korea) 2022.02 You didn't say anything. I did nothing (Gallery Zeinxeno, Seoul/Korea) 2021.12 Concrete・2・Moll V (Gallery Kitanozaka, Kobe/Japan) 2021.11 ASIA HOTEL ART FAIR (Central Museum, Seoul/Korea) 2021.11 Memory of characters (Cultural Manufacturing Space, Cheongju/Korea) 2021.10 Ciol Regular Exhibition (Gana Insa Art Center 2nd floor, Seoul/Korea) 2021.10 3 Invitational Exhibition (Gallery SOSA, Bucheon/Korea) 2021.10 Artist 12 : Donggang (507 Art Museum, Jeongseon/Korea) 2021.08 FOCUS LONDON 2021 (Saatchi Gallery, FOLD Gallery, London/UK) 2021.06 FOCUS PARIS 2021 (Atelier Richelieu, Paris/France) 2021.04 Gyeonggi Art Collection Special Exhibition (Gyeonggi Millennium-gil Gallery, Ansan/Korea) 2020.11 Zero Base Auction Preview (Seoul Auction Gangnam Center B4·B5, Seoul/Korea) 2020.10 Log Art [Jaemijigo] Art Fair (Cheongju Culture Manufacturing Space 3F, Cheongju/Korea) 2020.08 WALKING IN THE ERA (ART MORA Gallery, New Jersey /USA) 2020.01 The 24th Japanese and French Contemporary Art Exhibition (National Museum of Art, Tokyo/Japan) 2019.08 'Compatibility' China-Korea International Exchange Exhibition (Dalgwan Museum of Art, Yueyang/China) 2019.07 Korea Live 2019 ROUEN (Halle Aux Toiles, Rouen/France) 2019.05 Experiences of Movement-Korea-China Invitational Exhibition (Zanidang Art Museum, Guangzhou/China) 2019.01 The 23rd Japanese and French Contemporary Art Exhibition (National Museum of Art, Tokyo/Japan) 2018.11 Korea-China Exchange Exhibition 'Sympathetic' (Korean Cultural Center in China, Beijing/China) 2018.11 World Korean National Art Festival (Seoul Arts Center, Hangaram Design Museum, Seoul/Korea) 2018.10 ICA Korean and Japanese Contemporary Art Exhibition (Chungmu Art Center Gallery, Seoul/Korea) 2018.08 KLAF-Booth Invitational Exhibition (Halle Aux Toiles, Rouen/France) 2018.08 Wonderland (Gallery Geo, Incheon/Korea) 2018.06 Prath 3 Artists Exhibition (Woonbo Museum of Art, Cheongju/Korea) 2018.06 'Common denominator' China-Korea Exchange Exhibition (Chengdu Liri Gallery Center, Chengdu/China) 2018.05 Pentas+-Spring9 Exhibition (Leading and Margin Gallery, Paju/Korea) 2018.04 Everything under the sun (Gallery Toast, Seoul/Korea) 2017.12 <Foreign Paintings> 11Artists Invited Exhibition (Allmee Art Space, Seoul/Korea) 2017.12 Seoul International Art Festival (Chosun Ilbo Art Museum, Seoul/Korea) 2017.11 Daejeon International Art Show (Daejeon Trade Exhibition Center Art Hub Booth, Daejeon/Korea) 2017.11 ROTC Artist Invitation Exhibition (Nama Gallery, Seoul/Korea) 2017.09 Art Group TER Regular Exhibition & AIAA Exchange Exhibition (Ara Art Center, Seoul/Korea) 2017.07 The 2nd Prath Exhibition (Woonbo Art Museum, Cheongju/Korea) 2017.05 <MILKY WAY> Exhibition (Gallery Daon, Seoul/Korea) 2016.10 Korea-China Artist Exchange Exhibition (Jilin University of the Arts Museum of Art, Changchun/China) 2016.10 Japan-Korea Contemporary Art Exhibition (Hyogo Prefectural Art Gallery, Kobe/Japan) 2016.03 Rialism 3Artists (DGB Gallery, Daegu/Korea) 2015.10 Korean-Japanese Contemporary Art Exhibition (Seoul Metropolitan Museum of Art, Seoul/Korea) 2015.10 KIAF (Coex booth 166, Seoul/Korea) 2015.07 PRATH 3Artists Exhibition (Gallery Art World, Seoul/Korea) 2015.04 Art Group Ter Regular Exhibition (Gana Insa Art Center, Seoul/Korea) 2015.03 Gallery Art Festival (64 booths at COEX, Seoul/Korea) 2014.10 Korean-Japanese Contemporary Art Exhibition (Haridanomori Gallery, Kobe/Japan) 2014.09 AIAA Korea-Japan Exchange Exhibition (Akida Prefectural Museum of Art, Akida/Japan) 2014.06 PENTAS+TANTAN Exhibition 200ho (Samtan Artmine, Jeongsun/Korea) 2012.02 Global & Local in Cuba (EL Trasgu, Havana/Cuba) · More than 250 other exhibitions
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